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Jacques Jansen (born Paris, 22 November 1913 – 13 March 2002) was a French ''baryton-martin'' singer, particularly associated with the role of Pelléas in the opera by Debussy, but also active in operetta and on the concert platform, and later as a teacher. ==Life and career== Born Jacques Toupin, Jansen had a wide musical and artistic education; after studying the violin in Paris, he took lessons in solfège and bassoon at the conservatoire in Tours, where he also pursued courses in fine arts.〔http://anao.pagesperso-orange.fr/interpr/jansen.html〕 Having taken vocal lessons with Charles Panzéra, from 1938 he studied under Claire Croiza and Georges Viseur (solfège) at the Paris Conservatoire. He also took classes with René Simon and Louis Jouvet and won prizes which might have allowed him to follow a career in acting. In 1939 he sang the fountain scene (Act 2 scene 1) and the tower scene (Act 3 scene 1) of Claude Debussy's opera ''Pelléas et Mélisande'' with the Orchestre National de France under Inghelbrecht, an experience which left him overwhelmed with joy.〔Dutronc, Jean-Louis. « Jacques Jansen : 30 ans de Pelléas ». In: Pelléas et Mélisande, Avant-Scene, Paris, 1977.〕 He made his debut as Pelléas at the Grand Théâtre de Genève in 1941.〔 After his Paris debut at the Opéra-Comique as Pelléas on 20 April 1941, Jansen also appeared as a singer in Fauré's ''Masques et bergamasques'' (January 1942), Valérien in ''Malvina'' (July 1945) and the title role in ''Fragonard'' (February 1946).〔Wolff S. ''Un demi-siècle d'Opéra-Comique (1900–1950)''. André Bonne, Paris, 1953.〕 Jansen recorded Pelléas in an Opéra-Comique cast under the conductor Roger Désormière in April and May 1941 with Irène Joachim as Mélisande.〔Massin B. ''Les Joachim – Une famille de musiciens.'' Fayard, Paris, 1999.〕 This recording is widely considered as a reference recording of this opera.〔Blyth A. Pelléas et Mélisande, in ''Opera, Thirty all-time great recordings''. ''Opera'', London, 2002.〕 Jansen later recorded the same role under André Cluytens and Inghelbrecht. He also sang the role under Désormière with the Opéra-Comique company at Covent Garden in June 1949,〔 as well as in New York, Brussels, Lisbon, Berlin, Milan, Rome and Tokyo. His last performance was in Tours in March 1971. Although best remembered for the role of Pelléas he also sang baroque opera (''Les Indes galantes'' and ''Platée'' by Jean-Philippe Rameau), modern opera (''Christophe Colomb'' by Darius Milhaud and ''Les caprices de Marianne'' at the Théâtre des Champs-Élysées in 1956), operetta (''The Merry Widow'' by Franz Lehár, the premiere of ''La Belle de Paris'' by Georges Van Parys in 1961 and Antonin in ''Ciboulette'' in Geneva) and mélodies. Jansen was a magnetic interpreter of Danilo in ''The Merry Widow'', which he performed some 1,500 times in France, displaying his acting skills, which he also used in several films. He dubbed the singing voice of Alain Cuny in ''Les Visiteurs du Soir'' (1942).〔Obituary – Jacques Jansen. ''Opera'', June 2002, 680.〕 He was for five years professor at the Conservatoire in Marseille, then held a similar post at the Paris Conservatoire, finally teaching vocal technique at the Opéra-Studio. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jacques Jansen」の詳細全文を読む スポンサード リンク
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